a visual reportage from the “Freedom not Fear” event in Rome.

angel_f

SuperAvatar

here is a report on ArtsBlog

here is the story on NeRVi

NoemaLabs published some info

here are the pictures:

Angel_F and SuperAvatar are scared.

The lives of the young artificial intelligence and of the  avatar who escaped from virtual worlds have been endangered  more than once by the control, that is constantly perpetrated on people’s information, habits and identities.

Forms of surveillance that are progressively and obsessively  expanding through continuous control of our lives (and not  only of the ones of our beloved digital beings). Along the streets, in supermarkets, in public spaces, and even in our homes, through telephones and internet connectivity.  An enormous amount of resources are wasted to control people’s  lives in multiple ways: from cameras to armed forces, passing  through data retention systems spying on people’s personal  information.

Angel_F e SuperAvatar are feeling annoyed, alarmed and outraged by all of that and, therefore, decided to publicly show their dissent, together with their human friends.

The two digital beings will join the “Freedom not Fear“  event, and they will attend the conference that will take  place at the “Provincia di Roma” building on saturday,  starting at 9:30am.

Who: Angel_F and SuperAvatar
When: Saturday, October 11th 2008, from 9:30am to 13:30am
Where: “Freedom not Fear”, palazzo Valentini (Palazzo della  Provincia di Roma, via IV Novembre n. 119/a, Roma

_________________________________________________________________

“Freedom not Fear“: International action day for democracy, free speech, human rights, civil liberties; against censorship, mass-surveillance, mass-data retention.

http://wiki.vorratsdatenspeicherung.de/Fnf08

Angel_F is the young artificial intelligence son of Derrick  de Kerckhove and the Biodoll.
It was born on February 2007. Since it started interacting with humans’ physical world it has been deeply interested about the international dialogue on digital rights. After a peculiar case of censorship, little Angel_F managed to attend the UN’s Internet  Governance Forum held in Rio de Janeiro all by itself.

Angel_F is a project by xDxD.vs.xDxD and penelope.di.pixel
http://www.artisopensource.net/2007/12/10/angel_f/

Fatherboard - the SuperAvatar - is an avatar that escaped  from virtual worlds when its owner’s computer exploded in  a short circuit.  It looks like a cyborg, but it isn’t, as its body is built from the hardware parts of the computer from where it materialized.
Its relations with human beings are contradictory and intermittent: the SuperAvatar is a fugitive living a constant conflict with institutional control, either the virtual and the real ones!

Fatherboard is a project by Luigi Pagliarini
http://www.artificialia.com/Fatherboard/

S1/S2 at the AHACamping, SALE Docks

This:

s1_s2_doc_v1

is the PDF of the research Salvatore Iaconesi & Oriana Persico presented at the AHACamping: S1/S2 a peer to peer (p2p) social network built on a parallel internet, implementing a true relational ecosystem assessing the issues in terms of privacy, control, user exploitation currently found in classic social networks such as Facebook, Youtube and the others like them.

You can find a first, fast report in the rest of the post, below.

Special focus was put on the critical approaches to social networking.

We (xDxD.vs.xDxD and penelope.di.pixel) presented S1/S2, the first phase of an experimental project featuring a social network built on the Netsukuku network: a meshed network that redefines the classical internet protocol stack to create a new network that is piggy-backed on the internet. This technique allows users to escape the control operated by service providers and by governments, as the parallel network is peer to peer and encrypted, and it is separated from the providers’ areas of control.

Or, to say the least, Netsukuku makes monitoring users a real tough job (practically impossible).

S1/S2 is a social network that is being implemented on the Netsukuku network. It has been presented at the AHACamping for a specific case study dealing with the possibility to implement a collaborative History of the Arts, but it really is a more generalized project.

S1/S2 approaches two main issues:

- infrastructural squatting

- the relational ecosystem

By infrastructural squatting we designate all those techniques through which an internet user can use the physical connectivity in ways that guarantee users autonomy, privacy and self-determination in terms of the posibility to define who can what/when/where a person can do something on the network, and in terms of being able to decide who can observe our informations, our relations, our interests and, in the end, our lives. Netsukuku has been chosen as the base platform to perform infrastructural squatting.

By relational ecosystem we describe the lives of the users on the S1/S2 environment. Everything is oriented to create the tools to enable people to freely define their own identities and to establish relationships, processes, services, information and content exchange. S1/S2 deeply differs from classic social networks: there is no “profile”, no authentication, no centralized service. There actually is no website, as S1/S2 is designed as a set of tools through which people can define their own data, store it on their computers or servers, and connect and communicate with others by using a peer to peer network built on Netsukuku. Identities are self-defined (even for everything that concerns the structure of data), as is content. Both can interact and be integrated, creating structures and relationships described by networks of identities, concepts, multimedia, informations, communication channels.

S1/S2 also introduces the concept of networked welfare, defining the tools through which the network can collaboratively enact processes whose aim is to create services that can be used by the collectivity, with specific concern for the weaker components of the ecosystem: content persistence, high availability and reliability, communication facilities, distributed, co-hosted stored facilities, virtualized systems to serve specific purposes and internet gateways that will allow for publication of people-selected contents on the “regular” web.

S1/S2 is currently under development, and our estimates indicate that there will be a first usable release of the environment in about 3 months.

We are currently looking for support. If the you find the concepts behind S1/S2 and Netsukuku interesting, and if you feel like contributing in any way you can (develop, execute beta installations and tests, explore the nexts steps…) you are truly welcome to do so, and you can contact me at:

xdxd.vs.xdxd [at] gmail [dot] com

Here is the document (only in italian for now: check back in a week or so for the english version) presented at the AHACamping for a case study of an S1/S2 application: a social network created to support a collaborative Art History.

s1_s2_doc_v1

The event was took place at the SALE Docks and it featured talks and performances on art, hacking, activism and critical theories on technology and on the ways in which they are transforming our lives in the contemporary era.

Here are some pictures

Here is a review on ArtsBlog

Just back from Liverpool where Art is Open Source attended the (re)Actor3 and HCI2008 events presenting Degradazione per Sovrapposizione di Corpi.

[DpSdC]Degradazione per Sovrapposizione di Corpi partecipated at the (re)Actor3 event and at the HCI2008 conference in Liverpool.

[DpSdC]Degradazione per Sovrapposizione di Corpi has been originally created for the LPM2008 event to promote the DegradArte artist movement born as a surreal protest when the Italian governmen promoted a surreal law on copyright.
DpSdC originally was designed to interact using the gestures that people perform when seeping the floor with a broom, emotionally linking the experience of interacting with artworks to common movements to which everyone can relate to, effectively eliminating the inhibition barriers that, classically, create distance between users and artworks.
For this version we decided to use another setting, with the same intent: the dinner. People were invited to eat their dinners on the installation, chatting about and laughing amazed at the beautiful things hey could achieve by simply lifting their knives or moving their glasses. Another great experiment investigating on the posibilities for relational dimensions created at the intersections of art and architecture.

Here is a video of the conference we held at the event.

These two videos show the set up of the installation and the evening event, held at Liverpool’s beautiful CUC COntemporary Arts Center

The (re)Actor3 event was organized and sponsored by BigDog Interactive. We had a chance to meet them ad they’re fantastic people, deeply involved in art, technology and in a beautiful perspective on the ways in which technology changes society and cultural practices. Hese is an interview with Jenn Sheridan, one of the founders of BigDog.

check out how it went with full video coverage here:

> report from Liverpool

connect to the events at

> (re)Actor3

> HCI2008

Art is Open Source and NeRVi present Angel_F project in Mexico City at the Computer Art Congress 2.

The international meeting researches on the evolution of digital practices as they affect arts and society.

I presented there the Angel_F project, together with penelope.di.pixel.

check out the informations about CAC2 at

> CAC2 website

> Laboratoire Paragraphe

> Tecnológico de Monterrey